Proposal for a nodal location in a new urban waterfront development
Shoal is a field of rotating panels hovering overhead in a cable net structure. The panels are designed to waver and oscillate in the wind, not to spin. Never stable, the panels waggle back and forth constantly, first revealing a momentary glimpse of one face, then a flash of the other. Front and back are painted in two different sets of colours. The endlessly shifting panels flick and change colour like a darting, shimmering school of fish in a poetically mesmerising display that varies according to the ephemeral movement of the wind and the trajectory of the viewer.
Concept shortlisted for the Dock Square Public Art Commission at Docklands, Melbourne in 2011
Proposal for the public foyer of a concert hall
Iteratio transfigures musical form into sculptural form. Suspended overhead are undulating rows of long pipes painted inside and out in a limited palette of rich colours. Each pipe is encircled at the lower end by floating, mirror-finish stainless steel rings that reflect and fragment the movement of audiences gathered below. The repetition of these elegant ‘pulse modules’ ambiguously suggest various kinds of musical instruments, or voices in a choir, or perhaps the individual notes in a musical score. The modulated configurations articulate the melodic lines and rhythmic progressions of orchestral composition and evoke the waves of sound that engulf an audience during a performance.
Concept shortlisted for Hamer Hall Public Art Commission at The Arts Centre, Melbourne in 2011
Moved into River Studios
I have taken up a tenancy in one of 50 studios at River Studios in West Melbourne, part of the Creative Spaces Program managed by City of Melbourne. The studio complex is housed in an old furniture factory on the banks of the Maribyrnong River.
For more information visit the Creative Spaces website.
Proposal for viewing platform on a steep hillside or cliff top
Flight Path is an elegantly simple viewing platform in the stylised form of a soaring bird. It consists of three undulating planes bolted together – a 10 metre long walkway and upraised wings all surfaced in expanded steel mesh. Stepping along the walkway the visitor sees straight through the mesh to the ground dropping away and the increase of space beneath. The plane of the walkway is not level and requires some attention as the visitor travels along it. At the terminal point handrail, the wings, rather than providing protection and shelter, are see-through. The wind penetrates too. There is no respite from space and air. This is the quintessential experience of the hovering bird.
This concept was shortlisted for Gowanbrae Civic Centre Public Art Commission in 2011.
Proposal for temporary installation in public space
Mn8 is a wall of mobile phones standing in a busy pedestrian precinct. In standby mode the live feed image on each phone camera reveals events on the other side of the wall – a person on one side can signal to someone watching from the other side.
In addition simple SMS messaging activates a colour display that ripples across the massed phone screens for up to 60 seconds before reverting to standby mode. During the colour display an audio component provides a whispering soundscape discernible only to listeners in immediate proximity to the wall.
The result is a choreographing of the viewer – first drawing them near to inspect and interect via the cameras then pushing them back to take in the whole as the overall display changes.
Conceptually, Mn8 plays with ideas of connection (the phone) and separation (the wall). A wall divides people but in this case the phone cameras render the wall transparent. This virtual connection is then temporarily obliterated by activating the colour display. The interplay between acts of connection and separation, between the physical and the virtual folds back on itself.
Concept developed in response to the City of Melbourne brief for Illuminating Melbourne, 2007